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BOOKS
10 More Classic Novels Under 200 Pages

Here's the next 10 classic novels under 200 pages from the list started in October (no, there was no November issue) and extended in December and January. The first 30 (and now these 10) are in the idleguy.com library and can be accessed here, here and here. 40 are now in the permanent library, the last 10 will be presented in the March issue.


Wide Sargasso Sea
by Jean Rhys (1966)

With Wide Sargasso Sea, her last and best-selling novel, Jean Rhys ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it literally drives a woman out of her mind.


Silas Marner
by George Eliot (1861)

Silas Marner, a weaver in the slum of Lantern Yard, stands falsely accused of stealing funds from his small Calvinist congregation. His life in tatters, Silas flees south and settles near the village of Ravenloe, only to have his life disrupted again when a local scoundrel, Dunsey Cass, steals his small fortune. It is only after becoming the guardian of an orphaned child that Silas's luck begins to change as he is transformed from an embittered man into one capable of love and forgiveness, with the means for spiritual rebirth and redemption from his ruinous past. In Silas Marner George Eliot subtly critiques the impacts of industrialization, the role of the upper class and the function of organized religion. The work has been adapted many times, most notably by the BBC with Ben Kingsley portraying Silas Marner.


The Prime of Miss Jean Brodie
by Muriel Spark (1961)

The brevity of Muriel Spark's novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit. Spark's most celebrated novel, THE PRIME OF MISS JEAN BRODIE, tells the story of a charismatic schoolt The brevity of Muriel Spark's novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit. Spark's most celebrated novel, THE PRIME OF MISS JEAN BRODIE, tells the story of a charismatic schoolteacher's catastrophic effect on her pupils. THE GIRLS OF SLENDER MEANS is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. THE DRIVER'S SEAT follows the final haunted hours of a woman descending into madness. And THE ONLY PROBLEM is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism. Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance


Jakob von Gunten
by Robert Walser (1969)

The Swiss writer Robert Walser is one of the quiet geniuses of twentieth-century literature. Largely self-taught and altogether indifferent to worldly success, Walser wrote a range of short stories, essays and four novels, of which Jakob von Gunten is widely recognized as the finest. It tells the story of a seventeen-year-old runaway from an old family who enrolls in a school for servants. The Institute, run by the domineering Herr Benjamenta and his beautiful but ailing sister, is a deeply mysterious place: the faculty lies asleep in a single room. The students though subject to fierce discipline, come and go at will. Jakob, an irrepressibly subversive presence, keeps a journal in which he records his quirky impressions of the school as well as his own quickly changing enthusiasms and uncertainties, deliberations and dreams. And in the end, as the Institute itself dissolves around him like a dream, he steps out boldly to explore still-unimagined worlds.


Breakfast at Tiffany's
by Truman Capote (1958)

It's New York in the 1940s, where the martinis flow from cocktail hour till breakfast at Tiffany's. And nice girls don't, except, of course, Holly Golightly. Pursued by Mafia gangsters and playboy millionaires, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly 'top banana in the shock department', and one of the shining flowers of American fiction. This edition also contains three stories: 'House of Flowers', 'A Diamond Guitar' and 'A Christmas Memory'.


Things Fall Apart
by Chinua Achebe (1958)

Things Fall Apart tells two intertwining stories, both centering on Okonkwo, a "strong man" of an Ibo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo's fall from grace with the tribal world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of Okonkwo's world with the arrival of aggressive European missionaries. These perfectly harmonized twin dramas are informed by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. From the Trade Paperback edition.


Fat City
by Leonard Gardner (1969)

Fat City is a novel about the indestructibility of of hope, the anguish and comedy of the human condition. It tells the story of two young boxers out of Stockton, California: Ernie Munger and Billy Tully, one in his late teens, the other just turning thirty, whose seemingly parallel lives intersect for a time. Set in an ambiance of glittering dreams and drab realities, it tells of the two fighters' struggles to escape the confinements of their existence, and of the men and women in their world. Fat City is a novel about the sporting life like no other ever written: without melodrama or false heroics, written with a truthfulness that is at once painful and beautiful.


House Made of Dawn
by N. Scott Momaday (1968)

The magnificent Pulitzer Prize-winning novel of a stranger in his native land A young Native American, Abel has come home from a foreign war to find himself caught between two worlds. The first is the world of his father's, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world — modern, industrial America — pulls at Abel, demanding his loyalty, claiming his soul, goading him into a destructive, compulsive cycle of dissipation and disgust. And the young man, torn in two, descends into hell.


If He Hollers Let Him Go
by Chester Himes (1945)

Robert Jones has a lot going for him: a steady job, a steady relationship and plenty of prospects, despite his constant struggle for survival as a back man in a white man's world. If He Hollers Let Him Go follows four days oh Jones' life, culminating in a devestating accusation that threatens every element of Jones' precarious existence. Immediately recognised as a masterful expose of racism in everyday life, If He Hollers Let Him Go is Chester Himes' first book, originally published in 1945 to great acclaim.


The Great Gatsby
by F. Scott Fitzgerald (1925)

The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. The Great Gatsby is one of the great classics of twentieth-century literature. (back cover)


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